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Are you going to show your work on mobile devices (Rec709), TV (Rec709 or Rec2020 soon), or cinema screens (DCI-P3)? Since most displays are only able to reproduce the Rec709 color gamut, we will set our working color space to Rec709. When working with Log footage, it is essential to re-map your footage to match your final destination. Understating Your working color space and your Final Destination (output) If you shot in Rec709, you can skip the normalization process and start doing color correction. CINEMA GRADE PREMIERE FULLSo, the first question you need to ask is: did you shoot in Log (e.g., S-log, V-log, Canon-Log, Red-log film) or in Rec709? Each method is different, uniquely tailored for the color science of the hardware in the products. Log files are optimized to take full advantage of your camera’s image sensor but must be normalized before doing any color correction and grading. Digital video cameras use either Log, or Rec709 to encode colors captured by the sensor. Understanding your footage (input) color spaceĬolor space refers to what method a digital system uses to encode color information. CINEMA GRADE PREMIERE HOW TOIn this article, we cover the essentials of how to properly use Look Up Tables (LUTs) and how to optimize your presets to be sure your footage looks exactly the way you want. CINEMA GRADE PREMIERE PROAdobe Premiere Pro is your best choice if your color grading needs are minimal. Mostly, this is accomplished during the shoot with lighting, lenses, and angle choices, but modern digital editing systems give us another tool: color correction and grading. However, it’s not enough to just capture images, you need to be sure they convey the look and emotion your scene requires. Whether you just need some basic correction or want to give your video a creative makeover, the tools outlined above will help you achieve it in your own video production.Capturing digital video has never been more affordable. Premiere is one of the best programs you can use to color grade footage as it has a wide range of color tools available for this purpose. Color Grading in Adobe Premiere For a Better Video It should be one of the very final steps in your editing workflow. So, make sure your footage is completely edited the way you want it to be before starting color work. This will require much more color grading work to achieve a finished look, and you won’t want to have to make massive back steps if you need to change something like the clip order or length. CINEMA GRADE PREMIERE PROFESSIONALThis is especially true if you’re editing LOG footage, or the desaturated, neutral footage many professional cameras shoot. Truthfully you could begin at any point while editing, but it’s better workflow-wise to only color grade after all your clip edits are finished and set in stone. You may be wondering at what point in the video editing process you should start to think about color grading. So, after adding a LUT, you’ll want to go through your clips and color correct from there so that there aren’t any inconsistencies. Simply adding a LUT to your clips and stopping there may make your color look inconsistent, as the LUT will not look the same on every clip depending on the original lighting and coloring of the clips. It will then be applied to your clip.Ī LUT can be used as a jumping-off point for further color correction and color grading. In the file explorer, find the LUT you wish to use and select it. ![]()
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